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Eventually when the mother falls critically ill, he too along with his family returns to Karachi, with the family deciding to go to their village to celebrate the Golden Jubilee of their parents’ marriage, even as the mother’s health is aggravating. Zain (Faris Khalid), the eldest, who lives in New York with wife and son is asked by Zareen to not come initially. Romeo (Adnan Malik) also joins the household to serve as the father’s nurse, with his family and himself having served them in the past as well. The father has a cardiac arrest, which prompts Zara (Sanam Saeed) the youngest of the three, struggling with a broken marriage, to return from London.
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Zareen (Aamina Sheikh), the middle sibling among three, lives in Karachi with her two elderly parents (Mohammed Ahmed and Bee Rao Rana Zafar) plagued with varying health issues that come naturally at their age.
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For, we’re all a part of the same emotional demographic when it comes to family and emotional relations. It is a storyline that virtually every family in the country would be able to relate to, even those that might not be close to the economic demographic of the elite showcased in the movie. Everything before it Khuda Ke Liye, Bol, Waar, Moor, Manto and others from the same bracket have indeed left their mark, but there’s one movie to truly signal the – let’s not call it revival – progress of Pakistani cinema.Īnd considering that we’ve run out of cliches to often egg numerous movies on when they didn’t quite merit it, or indeed the industry as a whole, there is no better way to describe Cake’s splendour than another cliche: keep it simple, stupid!Ĭake is a simple story that brings together all the arsenal of filmmaking that has traditionally eluded Pakistani filmsĬake is a simple story that brings together all the arsenal of filmmaking that has traditionally eluded Pakistani films – even the very best ones that have been offered in recent years That this revival stage never seemed to end made all of us wonder if it had ever begun in the first place.Ĭake,right here, is that. We’ve been harping on and on for a good part of a decade on the never ending ‘revival of the Pakistani film industry’.